Coin Heist Review

If The Breakfast Club and Ocean ’ s 11 were shoved into Seth Brundle ’ sulfur telepods, Coin Heist is the demonic abhorrence that would stagger out the early end, pressing a shotgun to its malformed read/write head and beg to be put out of its misery. Based on the young adult novel by Elisa Ludwig, Coin Heist opens with a group of students on a field trip to the US Mint, their slack-jawed un-enthusiasm only briefly lifting when the cops show up and drag their principal away in handcuffs. It turns out he ’ sulfur embezzled $ 10 million from the school fund, putting the very institution itself in hazard. And so, hacker Alice ( Alexis G. Zall ), athlete Benny ( Jay Walker ). award scholar Dakota ( Sasha Pieterse ) and lax ( and the embezzle principal ’ s son ) Jason ( Alex Saxon ), band together to save the school. Their plan : break into the US Mint, secretly fabricate quarters with a flaw in the design and then profit from coin collectors ’ desire for rare mis-pressed currency.

once they ’ ve gotten these hundreds of rare coins they ’ ll… uh… well the characters never quite decide how they ’ ll convert them into the $ 10 million they urgently need. And anyhow, is it in truth credible that teenagers would choose to save their high school over each of them walking away with a cool $ 2.5 million ? Oh good, I guess their thoughts are occupied by worrying about how the armed robbery has to take place on the same night as the Winter Formal dance. play ! From the ‘ just the facts, ma ’ am ’ style to the stereotyped shed of characters to the olive drab institutional scenery to the pedestrian direction, Coin Heist is a potently politic cinematic experience. This dullness is particularly disappoint given that Netflix is so cash rich it ’ ll tolerate a bit of experiment from directors. But writer/director Emily Hagins, a 24-year-old with a handful of productions already under her knock, sets herself a broken cake and hush struggles to clear it.

The film is burdened by a script that has the distinct sniff of a foremost draft. huge swathes of the dialogue are occupied by gawky exposition or paint-by-numbers romances and what ’ second left by and large tends towards redundancy. For model, a character ’ s mother asks “ Did you find out about the scholarship ? ” to which the scholar replies “ not yet. Soon. ” The mother replies “ we need to know to make a plan in case you don ’ triiodothyronine get it. ” It begs the wonder of what precisely is stopping them from planning nowadays ? If it were isolated to a handful of exchanges I ’ five hundred be nitpick, but the film is liberally peppered with elements that a decent handwriting sophisticate would immediately flag up as needing a rewrite or just excising all in all. The script problems are compounded by a cast that I ’ ll charitably assume is ailing directed quite than untalented. One likely red flag is that Jay Walker and Alexis G. Zall are Vine and YouTube personalities respectively, each with hundreds of thousands of adoring followers. If you ’ re making a movie targeted at teens in 2017 hiring social media stars makes sense, though you ’ re on thin ice when it comes to them actually acting. fortunately, both Walker and Zall are adequate, though not particularly come to, actors. The real depleted point comes with Jason Saxon ’ s moody protagonist, whose interpretation of moody adolescent rebellion looks uncannily like he ’ second struggling to remember his lines. then again, given how distinctly unmemorable they are, you can hardly blame him.

besides, breaking into the Philadelphia Mint – the largest mint in the USA and an fabulously high-security politics building – sounds like it ’ five hundred brand for an excite caper. But Coin Heist is hamstrung by a lack of budget and, crucially, resource. The film makes wandering in and out of the Mint ( a preferably cheap looking warehouse set ) look reasonably square : largely a matter of dodging incompetent security guards who somehow don ’ thyroxine notice the very noisy coin printing machines starting up at night. That miss of agitation is the final blow for the film. I just about could forgive a cover negotiation, chancy performances and a miss of ocular flare if there was a playful sense of venture and tension as they execute their plan. But the characters are confronted by sol little risk that even they look deflated by how easy it all was. Coin Heist doesn ’ deoxythymidine monophosphate even have the decency to be bad in an interest way ; the production ethos obviously being “ eh, that ’ ll do. ” And sol it ends up committing the worst cinematic crime of all – being boring. Given the huge align of quality screening options Netflix offers, something this bland is destined to vanish into the digital mire.

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Category : Coin